myebooksbuy
My Books
Cover of The night wire

Free summary

The night wire

H. F. (Henry Ferris) Arnold (1902–1963)

Science-Fiction & Fantasy6 min read·1,238 words

A quiet graveyard mist creeps across an isolated city, consuming its inhabitants as two telegraph typewriters record their final screams.

In Short

A routine graveyard shift in a secluded press office turns surreal when an experienced telegraph operator begins receiving apocalyptic bulletins from a town named Xebico. As a suffocating, foul-smelling fog engulfs Xebico, a sinister force consumes its citizens piece by piece before an unearthly light sweeps over the sky. Meanwhile, the office manager watches in mounting dread, only to uncover a terrifying truth about his silent operator. Celebrated as a classic of early twentieth-century cosmic horror, this short story endures for its eerie atmospheric build-up, minimalist setting, and spine-chilling final reveal.

The Story

Advertisement

The narrative begins on the top floor of a city skyscraper during the late hours of the night. The narrator manages the desk of a press news agency in a quiet western seaport town, overseeing the flow of late-night dispatches from around the globe. His sole night operator is John Morgan, a dependable, quiet man of forty who possesses the rare mechanical ability to operate two telegraph sounders and typewriters simultaneously.

Around three in the morning, Morgan casually mentions feeling tired, a rare admission for the stoic worker. Shortly after, the manager notices that Morgan has opened a second wire, typing out two separate streams of copy under the dim glow of his green lampshade. Intrigued, the narrator picks up the freshly typed pages from the second machine and finds dispatches originating from an unfamiliar town named Xebico.

The initial bulletins describe an extraordinarily dense, foul-smelling mist descending upon Xebico at four o'clock in the afternoon. Traffic grinds to a halt, streetlights fail to penetrate the pitch darkness, and weather officials remain baffled. Subsequent dispatches grow increasingly alarming: a hysterical church sexton reports that the fog rose directly from the village graveyard like a gray blanket, twisting into horrific phantoms. The rescue parties sent to investigate disappear into the gloom without a trace.

As the hours pass, the reports become horrifyingly vivid. The mist seeps into homes with a nauseating stench of decay, driving terrified residents to gather in the local church to pray. Outside, strange wind-like wailings echo through the quiet streets. Sitting at the wire on the thirteenth floor of Xebico’s press office, the distant operator broadcasts his final updates. He describes the fog parting to reveal living, writhing shapes clinging to human victims, stripping them and devouring them where they lie. Suddenly, blinding, kaleidoscopic flames of cosmic light fill the sky above Xebico, melting the mist into a brilliant, rainbow-colored haze just as the dispatch abruptly cuts off.

Disturbed by the gruesome narrative, the narrator checks the connection and contacts the main station in Chicago, only to be told that the second wire was never opened or used all night. Confused, he turns to wake Morgan, shouting that the whole affair must be a hoax. Grasping Morgan by the shoulder, the narrator makes a horrific discovery: Morgan’s body is completely cold. He has been dead for hours, his fingers mysteriously continuing to type out the strange signals long after his heart stopped.

How It Unfolds

The graveyard shift A news desk manager describes the eerie nature of working the late-night wire in a skyscraper, listening to the tragic news of the world while the city sleeps. His highly skilled operator, John Morgan, quietly mentions feeling unusually tired around three in the morning.

Voices from Xebico Morgan opens a second telegraph wire and begins typing out dual dispatches. The narrator inspects the second pile of copy and discovers updates regarding a sudden, impenetrable fog in a mysterious town called Xebico.

The creeping nightmare Subsequent updates detail a sickening smell of decay, disappearing rescue parties, and a hysterical sexton claiming the mist originated above the graves in the local churchyard. Terrified citizens flee into the church while strange, unearthly wails echo through the darkness.

The cosmic consumption The Xebico operator sends a final bulletin from his high window, describing the mist as a living entity that tackles people to the ground and consumes them. Unearthly, brilliant colors suddenly ignite the sky, burning through the mist just before the signal goes entirely dead.

The cold reality After Chicago confirms the second wire was never active, the narrator attempts to wake Morgan. He touches the operator's shoulder and realizes Morgan has been dead for hours, leaving the origin of the terrifying messages an unsolved mystery.

The People

  • The Desk Manager (Jim)

A pragmatic, calm news supervisor who has spent twelve years handling telegraph wires without ever losing his composure. He wants nothing more than a quiet, routine shift, but his professional detachment shatters as he watches the uncanny dispatches roll off Morgan's typewriter. By the end of the night, he is so deeply shaken by the experience that he resolves never to work the night shift again.

  • John Morgan

A sober, hard-working forty-year-old telegraph operator with three years of flawless service at the agency. A rare "double man," he possesses the uncanny ability to process two separate telegraph wires at once, operating like a precise, automatic wizard without imagination. He wants only to finish his nightly work despite feeling subtle exhaustion, but he ultimately dies at his station, leaving his corpse to automatically transcribe a final nightmare from beyond.

In Its Own Voice

“There’s something ungodly about these night wire jobs. You sit up here on the top floor of a skyscraper and listen in to the whispers of a civilization.”

The narrator reflects on the eerie isolation of working late at night while the rest of the world slumbers.

“The fog is not simply vapor--it lives. By the side of each moaning and weeping human is a companion figure, an aura of strange and varicolored hues.”

The final dispatch from Xebico captures the horrifying moment the operator realizes the mist is an active, predatory entity.

“The body was quite cold. Morgan had been dead for hours.”

The narrator comes to the chilling realization that his operator was typing out the uncanny dispatches long after passing away.

What It's Really About

The story probes the boundary between modern technology and unknown, otherworldly forces. By centering the action in a bustling news office—a hub of rational, instantaneous global communication—the narrative demonstrates how vulnerable humanity remains to horrors beyond its comprehension. It explores the concept of automated muscle memory and the unconscious mind, questioning whether a dying brain can tap into distant, unseen dimensions. Ultimately, the plot confronts the terror of isolation; despite being connected to the world by telegraph wires, both the lone operator in Xebico and the duo in the seaport office are utterly helpless when confronted by supernatural decay and death.

Why Read It Today

This classic short story is an essential read for enthusiasts of early twentieth-century weird fiction, cosmic horror, and atmospheric short stories. It excels at building a dense sense of dread within a claustrophobic, mundane workspace, leveraging the rhythmic tap-tap of typewriters to heighten tension. Readers will appreciate how efficiently it constructs a terrifying scenario through fragmentary, distant dispatches without relying on extensive prose.

The story moves at a swift, engaging pace that holds up remarkably well for modern audiences. Its primary challenge lies in its historical reliance on early telecommunications jargon—such as "sounders," "double man," and press "takes"—which reflects the technology of the 1920s. However, these period details only add to its authentic vintage charm. The haunting image of a dead man's fingers mechanically typing out the destruction of an impossible city lingers long after the final sentence.

This summary was written by AI (g4f/auto) on 2026-08-30 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem

More science-fiction & fantasy

Keep reading

Cover of The white rain came

The white rain came

Merwin, Sam, Jr.

When an inscrutable, planet-spanning intelligence begins killing human colonists, two telepathic spouses must risk their minds and bodies to master a force beyond human comprehension.

Science-Fiction & Fantasy7 min read
Cover of The winner and new

The winner and new

Ib Melchior

In a future where television is the absolute arbiter of reality, two men enter a shimmering force-field to duel for the highest stakes imaginable. Only one will emerge alive, while the other faces a terrifying erasure.

Science-Fiction & Fantasy8 min read
Cover of The vidiot

The vidiot

Ib Melchior

The future is never as safe as we imagine, especially when the barrier between reality and the lens begins to dissolve. A single moment of technical failure can reveal a terrifying, limitless horizon.

Science-Fiction & Fantasy6 min read
Cover of The day the world ended

The day the world ended

Sax Rohmer

A mysterious voice delivers a chilling three-day ultimatum in a quiet German resort town. To stop a mad visionary from extinguishing human life, three investigators must breach a fortress guarded by synthetic giants.

Science-Fiction & Fantasy7 min read
Cover of The Singing Mouse Stories

The Singing Mouse Stories

Emerson Hough

A solitary man sits in a quiet room with a small fire, a worn hunting coat, and a tiny mouse that sings him into visions of lost youth, wild mountains, and the forgotten beauty of the world.

Science-Fiction & Fantasy6 min read
Cover of Tales of Fantasy and Fact

Tales of Fantasy and Fact

Brander Matthews

This collection of short narratives explores the thin, permeable border between the mundane world of Gilded Age New York and the realm of the impossible. These stories challenge our perceptions of reality, suggesting that the fantastic may be hiding in plain sight behind a modern veneer.

Science-Fiction & Fantasy6 min read