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Folk tales of Sind and Guzarat
C. A. (Charles Augustus) Kincaid (1870–1954)
A collection of regional Indian folklore and historical vignettes unfolds with quiet affection for the landscapes of Sind and Gujarat.
In Short
This volume gathers traditional legends, historical anecdotes, and local myths from Sind and Gujarat, tracing a tapestry of divine interventions, royal intrigues, and ascetic wonders. Across its pages, holy men transform into falcons, princes navigate treacherous court conspiracies, and devoted spirits conquer mortal peril. Compiled by a British administrator with deep affection for the region, the work preserves regional storytelling traditions that survived through oral memory and newspaper columns. Its enduring appeal lies in its vivid slice of regional geography and its celebration of devotions, cleverness, and human resilience across distinct cultural borders.
The Story
The collection opens with vivid glimpses of the Sindhi landscape—its arid wastes, blinding glare, and hidden riverine beauty along the Indus—setting the stage for a series of miraculous tales and historical lore. Early narratives recount the deeds of revered saints such as Lal Shahbaz, who rescues a falsely accused companion from execution by transforming into a peregrine falcon and later emerges unharmed from a cauldron of boiling oil. Other legends tell of Udero Lal, a miraculous child who turns small pots of cooked gram into abundant grain by dipping them into the river, eventually taking the great saint Gorakhnath as his guru.
As the book progresses, historical events interweave with regional myth. Readers learn of the great poet-saint Shah Abdul Latif, the spiritual lineage of Shah Karim, and the divine portents surrounding holy men like Makhdum Niamat Ullah and his son Makhdum Nuh. The narrative moves through ancient ruins such as Brahmanabad, destroyed by seismic cataclysms while entangled in legends of the wicked prince Dalu Rai, who usurps power, ignores holy curses, and precipitates royal ruin.
In another tale, a royal minister embarks on a year-long maritime voyage to find a maiden matching a mysterious portrait. Disguising himself as a merchant, he lures the princess onto his ship with mechanical, moving toys before severing the anchor cable to carry her away. Shifting to historical conflicts, the narrative details the 1555 Portuguese sack of Tatta under Pedro Baretto after Mirza Isa Khan refuses to pay for unneeded military aid.
Moving into Gujarat, the storytelling shifts toward moral fables and fairy tales. In one story, a faithful dog uncovers stolen treasure buried by robbers, leading its master to cancel a hillman’s debt; tragic miscommunication ensues when the hillman mistakingly believes the dog abandoned its post, prompting a fatal insult. Other tales depict courtly trickery, such as a foolish young man named Vidhya using a clever Brahman boy's advice to feign madness and escape the wrath of rival queens, or the God Krishna revealing himself to a devout woman named Magadha while punishing her proud, deceitful companions. The collection concludes with the magical adventures of King Rupsinh, who survives execution via a sacred elixir, travels in a flying chariot, and ultimately triumphs over sorcery to claim his rightful throne and wed his true loves.
How It Unfolds
The saintly falcon ascends Lal Shahbaz saves his innocent friend from execution by transforming companions into a deer and a lion to scatter the crowd, before turning into a peregrine falcon to fly his friend to safety.
The river turns gram to grain The child-avatar Udero Lal dips a tiny pot of cooked gram into the river, magically retrieving a vessel brimming over with grain to the astonishment of his parents.
A prince usurps the throne Following King Amrai's death, the wicked prince Dalu Rai and his crafty companion Banbho stage a coup in Brahmanabad, overriding the late monarch's brass-plate decree.
Toys lure a princess away A clever minister uses intricate mechanical animals and talking figures to entice a distant princess aboard his vessel, cutting the anchor line to carry her off to his master.
A faithful hound meets tragedy After a dog unearths a merchant’s stolen safe, the merchant ties a debt-canceling note to its collar, but its original owner misinterprets its return as desertion and causes its death through a deadly gesture of contempt.
A fool feigns madness Vidhya buys advice from a wise Brahman boy to escape the wrath of two quarreling queens, successfully avoiding execution by babbling inanely until the king dismisses him.
A king claims his magical destiny Resurrected by a sacred elixir after being hanged, King Rupsinh uses a magical flying device, unmasks a wicked impostor, and reclaims his court alongside his true brides.
The People
- Lal Shahbaz: A miraculous Muslim ascetic who rescues his innocent companion through shape-shifting wonders and survives a cauldron of boiling oil, earning his ruby-red title and lifelong reverence.
- Udero Lal: A divine child avatar who performs river miracles with food and seeks spiritual guidance from Gorakhnath despite his own innate holiness.
- Dalu Rai: A headstrong and ruthless prince of Brahmanabad who ignores holy warnings, claims the throne in defiance of his father's final brass-plate decree, and pursues his desires without restraint.
- Banbho: The cunning and scheming companion to Dalu Rai, who orchestrates the rapid rally through city streets to seize power before rival ministers can crown the infant heir.
- Vidhya: A simple and easily frightened young man who gets caught between rival royal maids and relies on purchased wisdom to save his own life.
- Rupsinh: A young king of Gujarat who endures execution, returns to life through a magic elixir, flies via a miraculous device, and ultimately rights royal wrongs to rule in peace.
In Its Own Voice
"Satan is the only true lover, all others are mere prattlers. Out of his great love for his Lord, the shining one (Satan) incurred disgrace."
The author opens the book with this epigraph attributed to the Sindhi poet Shah Latif, setting a tone of deep spiritual mystery.
"The beauties of Sind are not for the stranger, or casual visitor."
This observation from the foreword highlights the subtle, hidden appeal of the region's landscape that only patient observers truly appreciate.
"There were toy dogs that ran for miles, toy lions and tigers that roared horribly, toy partridges that rose with a whirr just like live ones..."
This description details the ingenious mechanical playthings a minister uses to captivate a distant princess aboard his ship.
What It's Really About
Beneath its colorful plots of magic and adventure, the collection explores the nature of spiritual devotion, karma, and the hidden identity of divine presence in daily life. Across both Sindhi and Gujarati lore, physical power and royal authority repeatedly bow to ascetic purity or divine intervention. Human arrogance—whether seen in corrupt rulers or ungrateful masters—inevitably invites ruin, while simple faith, honesty, and loyalty receive unexpected rewards. The text reflects how regional storytelling serves as both a moral compass and a historical memory, preserving local identity through changing empires, harsh landscapes, and shifting cultural tides.
Why Read It Today
This volume appeals to enthusiasts of South Asian history, folklore collectors, and readers who delight in regional legend. The writing carries the calm, observant quality of an era when local traditions were documented with genuine curiosity rather than modern grandstanding. It offers an evocative glimpse into the geographical atmosphere of old Sind and Gujarat, rendering riverbanks, ancient ruins, and desert moons with vivid detail.
Readers should anticipate the stylistic conventions of early twentieth-century colonial scholarship, including archaic transliterations and occasional period attitudes toward local customs. The stories move rapidly, punctuated by sudden leaps in logic, supernatural turns, and stark moral outcomes characteristic of oral tradition. Despite these period traits, the collection retains its warmth, delivering an engaging journey into the rich narrative heritage of western South India.
This summary was written by AI (g4f/auto) on 2026-08-24 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem





