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Big Baby

Jack Sharkey (1931–1992)

Science-Fiction & Fantasy6 min read·1,279 words

A telepathic predator haunts a colony by mimicking the deepest, safest memories of its victims. To stop the slaughter, a man must confront the most dangerous "baby" in the universe.

In Short

This is a taut, psychological science fiction thriller centered on the high-stakes work of a "Space Zoologist." When a mining colony on Sirius II falls silent, Jerry Norcriss is sent to make contact with the unknown entity responsible for the disappearances. He discovers a creature that survives by projecting hypnotic illusions, forcing its prey to see a harmless, comforting image—even when that image is a deadly threat. It is a sharp, atmospheric exploration of the subjective nature of reality and the crushing, lonely toll of professional duty.

The Story

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The story begins with a crisis on Sirius II, where a mining operation has ground to a halt. Men are vanishing, and those who go in search of them never return. Earth sends Jerry Norcriss, a specialist in "Contact"—a process where a zoologist uses technology to meld his mind with an alien's to understand its nature. Jerry is a man worn thin by his profession; he is haunted by the emotional aftershocks of his past encounters, which he must process in isolation once the connection is severed.

Upon arrival, Jerry prepares to enter the mind of the entity. He is assisted by a local woman, Jana, whose father is among the missing, and a technician named Bob. Jerry enters the mental state of the creature, expecting a battle, but finds himself experiencing the sensory world of a human baby. He sees his surroundings—trees, clouds, and mine equipment—as massive, distant objects, and he feels the intense, vulnerable focus on his own skin that defines infancy. The alien is telepathically projecting an image of a helpless child, a form designed to disarm any potential attacker.

Jerry soon realizes the creature is not a baby at all, but a predator that uses its prey’s own memories to survive. The alien is amused by Jerry’s presence, sensing his profound loneliness and internal damage. It attempts to maintain the illusion, but Jerry discovers that his own specific childhood memories—which the creature cannot perfectly replicate—provide a flaw in the facade. As Jerry works to maintain his focus, he realizes the entity is a master of mimicry, capable of adjusting its own life-pulse to evade detection by the colony’s scanners.

The climax arrives when Jerry, having used post-hypnotic suggestion to maintain his own identity, forces the creature to break its illusion. As he is pulled from the contact, his allies storm the clearing, using a high-intensity light to shatter the creature’s hypnotic hold. Jerry, now back in his own body, witnesses the true form of the beast: a bloated, fanged, and repulsive horror. With the creature dead, Jerry reveals that the high life-pulse readings they initially detected were not the alien’s true signature, but the creature mimicking an atomic-powered roborocket to avoid notice. He advises the colony to use the corpse to broadcast its real pulse, stripping away its power to hide and allowing the miners to defend themselves.

How It Unfolds

The scanning mystery The story opens in a sterile control room where Jerry and a technician analyze a mysterious, dancing green blip on a scanner. They realize the entity is massive and powerful, yet it has evaded detection for months by mimicking the pulse patterns of indigenous, harmless creatures.

The preparation for Contact Jerry meets the worried colonists, including Jana, whose father vanished in the mines. He explains the nature of his work: he must project his mind into the unknown to uncover its secrets, a process that is as mentally draining as it is physically risky.

Entering the mind Jerry initiates the link and finds his perception shifted to that of an infant. He realizes the creature is using his own mind to construct a facade of innocence, making him feel the helplessness and sensory intensity of a baby to prevent an attack.

The realization of the ruse Jerry confronts the entity within its own telepathic field and realizes it is a predator feeding on his empathy. He uses a calculated psychological trap, bolstered by hypnosis, to ensure he can break the spell at the critical moment.

The confrontation The illusion shatters when the colonists arrive with arc-torches, exposing the monster's true, hideous form. Jerry survives the psychological toll, and the team prepares to use the carcass to expose the rest of the species.

The People

Jerry Norcriss is a Space Zoologist, a man defined by his solitude and his grim, professional stoicism. He is an expert at navigating alien consciousnesses but is physically and emotionally white-haired from the strain of his work. He seeks to solve the mystery of the missing miners, but his true struggle is with his own need for human connection and the "delayed reaction" of shock that follows his work.

Jana Corby is the human face of the tragedy. Her father’s disappearance has upended her life and put her marriage on hold. She represents the collateral damage of the colonial mission and provides the emotional stakes for Jerry’s intervention.

Bob Ryder is the technician who supports Jerry. He is sharp-witted and pragmatic, serving as the bridge between the technical requirements of the mission and the human reality of the situation. He and Jerry develop a begrudging mutual respect as the danger mounts.

In Its Own Voice

"The baby was lonesome, helpless and afraid. It wasn't his fault he was seven hundred feet tall!"

Jerry discovers that the creature is projecting an image of a vulnerable child to hide its true, monstrous nature.

"Every man gets keyed up and scared when he has an important undertaking at hand. It's just worry, plain and simple."

Jerry attempts to explain the intense, almost addictive dread he feels regarding his work to a curious crewman.

"It's pretty damned difficult to find a solution to a problem until you're sure what the problem is."

Jerry muses on the impossibility of his situation while he struggles to identify the true nature of the predator.

What It's Really About

The book is a meditation on the concept of "The Other." It argues that human perception is fragile and easily manipulated by our own needs—specifically our need to protect the vulnerable. The creature's power is not just its physical strength, but its ability to weaponize human empathy. By forcing Jerry to confront his own infancy, the book asks whether we can ever truly understand an alien intelligence, or if we are always just projecting our own internal landscapes onto the unknown. It is a cautionary tale about the dangers of projecting human innocence onto a universe that may be fundamentally predatory.

Why Read It Today

Readers who enjoy mid-century science fiction will appreciate the clipped, professional dialogue and the focus on technical procedures. There is a palpable, claustrophobic dread in the way the story treats the "Contact" process; it feels like a psychological surgery where the surgeon is also the patient. The book captures the distinct paranoia of the early space age, where the vast, silent void of space is filled with unknown, hostile possibilities.

However, modern readers should note that the period’s "tough guy" archetypes and the clinical view of the zoologist’s "rugged" lifestyle reflect 1960s conventions. The dialogue is brisk, sometimes to the point of feeling abrupt, and the central conceit—the telepathic predator—demands that the reader accept a high level of speculative science regarding "life-pulses" and "hyperspace." It is not an action-heavy space opera, but a character study about a man performing a job that is systematically destroying him. What stays with you is the haunting image of the monster hiding in plain sight, and the chilling realization that our own memories can be used against us. It is a brief, intense read that rewards those interested in the psychological cost of exploration.

This summary was written by AI (gemini-3.1-flash-lite) on 2026-09-02 and is a guide to the book, not a replacement for it — it can be incomplete or wrong. The book itself is public domain. Copyright & AI disclosure · Report a problem

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